As we entered the next room and loaded onto the tactical taco truck, another cast member made the exact same joke to me. I don’t think he meant anything by it, but it was pretty awkward. “At one point, our trainer pointed at the only woman in our group and announced that he didn’t think she was going to make it back. READ MORE: Viva Las Vengeance Is One Of The Coolest Location-Based VR Games Ever (The Gamer) He also, somewhat hilariously, describes the pre-show warm-up in which the ride’s “training” crew staff tries to get participants hyped up. Reviewing the VR experience for The Gamer, he says, “As a huge fan of these theme-park quality VR experiences, Viva Las Vengeance is a welcome return that raises the bar for in-person VR in more ways than one… It’s similar to Star Tours and The Simpsons in that it uses moving platforms to simulate the motion that you’re seeing on screen.” The ride itself takes place in a couple of converted Taco vending trucks (familiar from the film) and will tour other cities in the US along with international venues including Berlin.Įric Switzer has taken the ride and enjoyed it. Perhaps the most interesting aspect of the activation is as an example of mobile location-based VR – cancelled under COVID but back with a Vengeance, if you will. After the game ends, “participants can browse merch, pose in a photo booth and refuel at a concession stand with a menu by that features items like Zombie Mulitas, Tacos Alphas and the Viva Burrito.” – Support for HDR in HEVC (H.According to PIS, during their journey, fans can expect “an epic 30-minute action-packed mission through Sin City,” yet, as THR points out but does not comment on, the actual VR portion of the event is close to 12 minutes long. – Export support for ambisonic audio (H.264 only) – Streamlined bit depth and alpha channel settings (QuickTime only)
– Option to maintain playback in Premiere Pro while rendering in Media Encoder – Automatically relinked assets when importing a sequence
– Support for Color Profiles from After Effects sources – Destination Publishing to Adobe Stock Contributor
– Timecode modification for 720p 59.94 media – Warning when importing non-native QuickTime sources – Format support for RF64 WAV Decode/Encode, decode for Sony X-OCN, and QuickTime DNx Smart Rendering – Animated GIF export on macOS and Windows – H.264 adaptive bitrate presets automatically choose best output bitrate based on source frame size and frame rate – Notification for missing items in queue before encoding – Add custom video thumbnails when publishing to YouTube
– Add custom titles when publishing to YouTube, Facebook, or Vimeo – Page selection when publishing to Facebook – Playlist selection when publishing to YouTube – Channel selection when publishing to YouTube and Vimeo – Destination Publishing support for new Twitter 280-character limit – RED camera Image Processing Pipeline support – Support for importing Sony Venice camera formats – Support for importing Canon C200 camera formats
– Hardware-accelerated H.264 and HEVC encoding on Mac OS 10.13 systems with supported hardware
– Hardware-accelerated H.264 encoding on Windows 10 with 6th Generation (or later) Intel® Core™ processors and Intel Graphics enabled – Improved Sony RAW/X-OCN camera format decoding – Hardware-accelerated HEVC encoding on Windows 10 with 7th Generation (or later) Intel® Core™ processors and Intel Graphics enabled – Export XAVC QFHD Long GOP 4:2:2 formats Tight integration with Adobe Premiere Pro CC, After Effects CC, and other applications provides a seamless workflow. This powerful media management tool allows you to work with media in a unified way across applications. Ingest, transcode, create proxies, and output any format you can imagine. Title: Adobe Media Encoder 2020 v15.4.1.5 Win 圆4